Research and training, above all, but also major exhibitions, expansion of the collection, enhancement of international partnerships. The strategic lines of the Triennale di Milano for the next four years, presented by the new president Vincenzo Trione (who took office last June 4) and the confirmed general director, Carla Morogallo, outline an ambitious plan to strengthen the growth and international positioning path initiated by the Milanese cultural institution in recent years, during Stefano Boeri’s mandate.
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Between continuity and evolution
A plan marked by continuity in some aspects – particularly in terms of management, which led to the recovery and then growth of the Triennale – and evolution in others. Because “institutions always rely on a very delicate dynamic between continuity and discontinuity,” Trione observes. “The model that has been tested in the last eight years has brought excellent results – he adds -: Today Triennale is a solid reality, with a healthy budget and also, I believe, a virtuous model of public-private partnership.”
Between 2022 and 2025 the collection increased by over 6 million euros, while the 2025 budget closed with 20 million euros in revenues, 57% of which came from private sources (45% from sponsorships, 22% from ticket sales, the rest from additional services, international partnerships, and special projects) and 43% from public sources (Ministry of Culture, Municipality of Milan, Lombardy Region, and Chamber of Commerce of Milan Monza and Brianza), as explained by Morogallo, confirmed general director of the Triennale Foundation, emphasizing the ability to diversify funding sources, which will need to continue and indeed strengthen, evolve, in the coming years, to support the new development plan. “We are finalizing the revised 2026 budget, which we will present to the board at the end of July – says Morogallo -. Estimates for November stand at 18 million euros. It will break even and will take into account not only projects already underway but also some of the new initiatives presented by the president.”
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Among these, the strengthening of the study center and training activities; a program that includes thematic and monographic exhibitions on the protagonists of art, architecture, design, and fashion and that will be detailed next autumn, along with the project for the expansion of the Italian Design Museum. Other news concerns the “Public Program,” which will include the Milanese Lectures, a cycle of lectures involving each year a central figure in the cultural debate.
De Lucchi creative director
For the first time, a creative director has also been appointed, a position entrusted to Michele De Lucchi, who also takes on the role of head of the Italian Design Museum.
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